mp4 file – under the h.264 format option in the export settings for Pr / AME H.264 – main/high profile, level 4.1, 12-15 mbit/s VBR 1-passĪac audio, 160-192kbps, 48kHz (assuming this is what was mixed), stereo My suggestion would be something similar to this for HD video: ![]() I’d recommend reading the much clearer Vimeo specs, too. To save yourself a lot of upload time, there’s a few tips in the upload specs. So, for mastering, ‘all you need’ is a high enough quality codec to keep your data and ‘look’ intact, so that file can be used to create your deliverables.Īs mentioned, the best options for this currently are codecs like ProRes422/ProRes4444 (Apple) or DNxHR (made by Avid, good mastering codec for Windows based sets) – these codecs are technically lossy (but visually barely noticable), but will give you an optimal mix between high quality and decent file size.Īs Ann Bens mentioned, YouTube will always re-encode your file. ![]() ![]() (They produce giant files)ĭepending on your source footage, and the way you handled these files during postproduction, your highest quality is whatever your highest workflow setting is. ![]() Exporting your timeline to a codec that is truly uncompressed is very inefficient in most cases.
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